• two sculptures, one brown and one cream facing each other in an exhibition
  • Vintage staircase with sculpture on plinth
  • Sculpture on oak table
  • white carved structure in ribbon shaped
  • Dark almost black carved spherical sculpture
  • White sculpture in front of window
  • orange spherical sculpture on window ledge
  • two large standing sculptures in garden
  • five sculptures infront of bright window
  • tall wooden sculpture on top of hill over looking view
  • white tear shaped sculpture in front of window
  • cream sculpture near window
  • dark bowl shaped sculpture on wood window sill
  • pointed white sculpture with black background

Halima Cassell: Artist & Sculptor

Combining strong geometric elements with recurrent patterns and architectural principles, Halima’s work utilises definite lines and dramatic angles in an attempt to manifest the universal language of number and create an unsettling sense of movement.

To achieve these effects she uses relatively thick surfaces or solid forms to carve to the desired depth. Halima concentrates on simple forms as the basis of her work in order to maximise the impact of the complex surface patterns in combination with heavily contrasting contours.

This approach provides her with the tools to create the compelling drama and playful dynamism that characterises her work.


  • Her main preoccupation and sculptural impulse is to penetrate beneath the skin of the form to reveal the structure within – the crystalline seed of the stone, or the skeleton-like armature she perceives within the clay. She does not carve exteriors but reveals interiors – the folded abstract inner landscapes of her singular and highly imaginative vision.
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • She was sketching constantly and continually sought to transpose her drawings into sculptural forms. The surface as well as the shapes emerged together in sculpture which often combined enormous complexity with simplicity and unity.
    – Helaine Blumenfeld OBE FRBS Dlitt

  • Halima’s work demonstrates incredible dedication and energy; one thing is clear, she will be among the future pathfinders and leaders.
    – Alan Grieve, Chairman, The Jerwood Foundation

  • Beautiful – amazing to see someone work with such a variety of material to create such stunning, intricate pieces. I can imagine them out in the world, near water and nature. Beautiful, thank you.

  • Her signature material is clay, which she moulds and carves with natural authority and no little dexterity. Her crisply cut and satisfying forms live on in the mind… She is a force of nature.
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • The work is of a high standard and creates an interesting contrast to the Da Vinci drawing. Can see the evolution of the process and the sculptures convey different ideas and theories. An excellent artist.
    – Jina

  • The most inspiring ceramic work I have seen in thirty years! Beautiful, mesmerising, powerful and thoughtful. Genius! Love, love, love this work.
    – Judith Ramsgate, 53 years old

  • Her profound understanding of the geometric rules governing any given pattern, allow her to bend, or even break them.
    – Peter Randell-Page, Sculptor

  • …Although Cassell is creating in different media – and respecting the unique characteristics of her material while doing so – she is also intent on discerning just how bronze, glass, marble and clay can ‘speak the same language
    – Ian Wilson

  • Working mostly with ‘naked clay’, that is without the use of glaze or slip, Cassell first carefully carves and then smoothes and burnishes to remove any blemishes, so virtually making the surface ‘ disappear’, leaving the form clean and prominent
    – Emmanuel Cooper