Privacy Policy

Privacy Policy

We will always protect your privacy and will only use the information that we collect about you lawfully and in accordance with the Data Protection Act 1998.

We will hold and transmit your information in a safe, confidential and secure environment.

The information we request from you is to ensure we provide you with excellent service, including regular updates regarding the Company and its Products.

Please note that we may also provide you with marketing updates by email if you order goods and services from us and include your email address as the means of contacting you. You will be entitled to opt out of such future mailings by notifying us that you do not wish to receive them.

We will need to ask you:

  • Your Name
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We will never collect information about you without your consent nor would we sell or pass on customer information to other companies.

The information we hold will be current and accurate. You can email or write to us requesting to view the information. If you find any inaccuracies we will delete and/or correct it.

Any questions or comments regarding privacy are welcomed.

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We use your IP address to help diagnose problems with our server and to administer our website. Your IP address is also used to help identify you and your details on our database.

  • Her main preoccupation and sculptural impulse is to penetrate beneath the skin of the form to reveal the structure within – the crystalline seed of the stone, or the skeleton-like armature she perceives within the clay. She does not carve exteriors but reveals interiors – the folded abstract inner landscapes of her singular and highly imaginative vision.
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • …Although Cassell is creating in different media – and respecting the unique characteristics of her material while doing so – she is also intent on discerning just how bronze, glass, marble and clay can ‘speak the same language
    – Ian Wilson

  • Halima’s work demonstrates incredible dedication and energy; one thing is clear, she will be among the future pathfinders and leaders.
    – Alan Grieve, Chairman, The Jerwood Foundation

  • She was sketching constantly and continually sought to transpose her drawings into sculptural forms. The surface as well as the shapes emerged together in sculpture which often combined enormous complexity with simplicity and unity.
    – Helaine Blumenfeld OBE FRBS Dlitt

  • The work is of a high standard and creates an interesting contrast to the Da Vinci drawing. Can see the evolution of the process and the sculptures convey different ideas and theories. An excellent artist.
    – Jina

  • Cassell’s Work Is Subliminal in its originality, having no parallel in the sculptural or crafts genres, whose borders it crosses.
    – Jean Vacher, Collections Manger, Crafts Study Centre, Farnham

  • I love this artist’s work. How she keeps her molten flowing themes through different media – stone, concrete, wood and even glass. Long to touch them. What a unique eye and hand she has. Wonderful.
    – Maureen Lepman

  • Working mostly with ‘naked clay’, that is without the use of glaze or slip, Cassell first carefully carves and then smoothes and burnishes to remove any blemishes, so virtually making the surface ‘ disappear’, leaving the form clean and prominent
    – Emmanuel Cooper

  • Her signature material is clay, which she moulds and carves with natural authority and no little dexterity. Her crisply cut and satisfying forms live on in the mind… She is a force of nature.
    – Andrew Lambirth, Art Critic - Spectator Magazine

  • Beautiful – amazing to see someone work with such a variety of material to create such stunning, intricate pieces. I can imagine them out in the world, near water and nature. Beautiful, thank you.
    –